Printmaking

I have been experimenting with letterpress for years, within the collective “Tipolesine” since 2008, printing with wood type crafted in the early 20th century in Northern Italy. In 2020 I discovered mokuhanga (Japanese woodblock printing) and I trained with Mara Cozzolino continuing my studies at MILAB, where I attended the AIR program in the spring of 2023 in Fujikawaguchiko City, Yamanashi Prefecture, Japan. My prints have been shown in various exhibitions in international venues, including Nara, Echizen (Japan), Bristol (UK), Canton (New York, USA), Basel (Switzerland), Bruges, Ghent (Belgium), and Taipei (Taiwan).
I am deeply interested in both the expressive possibility of wood and the idea of modularity, repetition, variations, mixing traditional techniques with contemporary tools, focusing on the theme of representing spaces, as in the project Print no border